Posts

Showing posts with the label publishing

Dear New Writer (Who Probably Googled 'Book Publishers for New Authors' to Get Here)

Image
This just landed in my inbox, and I'm going to publish it here because I get a variation of this letter at least once a month. It's starting to make me a little loopy. Dear Jenna, I've completed my first manuscript a few months ago and have since received 7 acceptance letters, however 5 are from "self-publishing" companies. One from PA and one from Dorrance. PA has already sent me a sample contract and an Aug. 1st deadline but after reading your comments, now I more confused then ever. Bottom line, I have no funds for Publishing law firms nor Self-Publishing companies. I'm looking for the name of a legit company that can help me without costing an arm and a leg. Okay, new writers, this one's for you. Let's dissect what's wrong with this question: He says has received 7 acceptance letters, but five are from "self-publishing companies." (Which are not actually "acceptances," but rather sales pitches.) Our first dilemma is that he ...

Publishing and Me, and the Great Freakout of 2010

Image
When I started writing, older writers would often say things like, "The publishing world has changed! It's not like it was when I was starting." I'd wonder what publishing was like for them; they painted utopian pictures of editors who spent lots of time nurturing writers who showed promise but didn't have professional polish. They described bookstores giving "fringe" authors a chance, and not giving up on authors whose first books didn't sell well. They described publishing as a kind, gentle world where promotion was left up to the publishers and writers had nothing to do but work on their craft. I don't know how much of that was factual and how much was romanticized. My guess is about 50/50. It's true that when I began writing professionally in 1997, the publishing world had become more competitive, more prone to the chain bookstores' "bestseller" mentality (leaving less space on shelves for books with smaller audiences, regar...

On Searching for Validation

Image
The thing about writing is that there's no multiple-choice exam you can take to find out if you're doing it right. You know if you're good at math because either you get into the honors classes or you don't... you pass the finals or you fail. With writing, the closest barometer you get in school is to see what kind of grade you get in English class-- or if you're lucky enough to be in a school where "creative writing" is offered (mine didn't offer that), you can check out your grade in that. But it's not objective the way math or science are. Your grade is largely dependent on a single teacher's taste. A competent teacher can tell you if your grammar stinks, if your writing is full of holes or redundancies, or if you're making common errors-- but there are many areas that teachers can't reliably grade. Your writing style, primarily. Like what I did just there. "Your writing style, primarily" is a fragment, and an English teach...

An Open Letter to the Twitter Agents (And Writers)

Image
I have pissed off the Twitter agents. It all started when one was lamenting the fact that writers sometimes accept offers of representation without checking in with the other agents they've submitted to first, and I responded with my view on why writers might do that. Ugliness ensued. And because I can't adequately respond in 140 characters or less, I figured I'd respond in an open letter here. (I was in the middle of a completely different post for writers, but that'll have to wait a bit. It'll be awesome, I promise.) This is the actual exchange: literaticat: For the third time this week, somebody has accepted representation from another agent without giving me the chance to respond. Grr. If you don't want me to even have the chance to be your agent WHY ARE YOU WASTING MY TIME & FILLING MY INBOX IN THE FIRST PLACE? I'm not MAD, just, why not give yourself options? Get an offer, tell the other agents - chances are one of them might be interested too. Me...

Amazon Boycott: The Pedophile's Guide to Love and Pleasure

Image
I love Amazon... or at least, I did, until today. Today, Amazon took a stand! For pedophilia! Uh... huh? No, seriously. Amazon is selling this in their Kindle store: The Pedophile's Guide to Love and Pleasure . ( UPDATE : as of Nov. 11, the page is down. I've captured screenshots of what the listing looked like, and you can view them as a .pdf file here .) This is the author's description: "This is my attempt to make pedophile situations safer for those juveniles that find themselves involved in them, by establishing certian rules for these adults to follow. I hope to achieve this by appealing to the better nature of pedosexuals, with hope that their doing so will result in less hatred and perhaps liter [sic] sentences should they ever be caught." Now, anyone can publish anything on Amazon's self-publishing platform, mind you. I don't blame Amazon for not catching it immediately. What I DO blame them for is their deplorable response to the situation once t...

Starred review in Publishers Weekly!

Image
This just in: My Stolen Son Susan Markowitz with Jenna Glatzer, Berkley, $7.99 (304p) ISBN 978-0-425-23634-5 This poignant memoir tells the painful story of a brutal slaying that captured national attention when it became the basis of the 2007 drama Alpha Dog. In the summer of 2000, Susan Markowitz's 15-year-old son, Nicholas, was kidnapped and murdered by a local drug dealer in revenge for his brother's debts. Nicholas's death, the ensuing trials of his killers, and the international manhunt for a fourth suspect nearly tore his family apart and sent his mother on a decade-long quest for justice and sanity. Markowitz writes with candor about her grief-induced alcoholism and suicide attempts as well as the troubles that shook her family's foundation long before Nicholas's death. Her unflinching honesty makes this a deeply powerful story that will move fans of the film and anyone grieving a loved one's death by homicide or suicide. (Sept.) Thank you, Publishers W...

Why I'm a Ghostwriter

Image
It's funny-- if you had ever told me that I was going to become a nonfiction ghostwriter and actually LIKE it, well, I would have cocked my eyebrow at you something fierce. I probably would have even said, "Pshaw!" at you. In my school days, I thought the only kind of "fun" writing was fiction writing. And when I began nonfiction writing, it was only because I saw that it had better financial prospects; it's tough to make a living as a writer, period, but really tough to make a living as a fiction writer. But I did wind up liking nonfiction writing. Getting paid to learn stuff that interested me? What a deal! As I gained more experience, I began getting offers to ghostwrite books. Little did I know at the time that I'd find my calling there. My line of work has put me in touch with some amazing people, both of the celebrity variety and of the regular ol' phenomenal-person-next-door variety. It seems like no accident that I've written the books ...

Unthinkable!

Image
Imagine you were 18 years old, riding on the back of a pick-up truck as you worked a summer landscaping job with your friends. You're about to go off to college, and this is your last summer all together as a group. Then the unthinkable happens. Your pick-up truck collides with an 18-wheeler. You're launched out of the back and thrown onto the road, where your leg gets trapped and you get dragged 324 feet along the asphalt.That's what happened to Scott Rigsby, who lost both of his legs as a result of that accident. For many years, Scott was lost and depressed, and couldn't figure out a purpose for his life. Then, while browsing at a bookstore, he saw two physically challenged athletes on the covers of magazines. Inspiration took hold, and in 2007, Scott became the first-ever double-amputee to complete the Hawaiian Ironman triathlon... yes, the one that's televised every year on NBC. It's a crazy physical challenge that even most able-bodied athletes can't co...

Honoring Nick Markowitz

Image
Several months ago, Susan Markowitz contacted me to ask if I'd help her write her memoir. Her only son, Nick, was kidnapped and murdered when he was 15 years old. This was the basis of the movie Alpha Dog , which starred Justin Timberlake, Sharon Stone, and Bruce Willis. After seeing the movie and reading about her story, I knew this could be the most important book I'd ever write. Susan spent several years in and out of mental hospitals and attempting suicide. As she explained it, each time she told her story in a group, suddenly everyone else realized they didn't have any real problems. Susan's first letter came to me one day after I was in court fighting for custody of my daughter, and I was very down. It was as if God was flicking me in the head and saying, "Here's some perspective for you." I hate that Susan has to be that perspective. But nine years after losing her son, she is remarkably strong and put together, and ready to do great things. This we...

On Word Counts: Shorter is Harder

Image
After 10 years, I'm finally realizing that I have a comfort zone when it comes to word counts. At least when it comes to magazine articles. I'd much rather write 1200-1500 words than anything much longer or shorter. When an editor wants me to write front-of-the-book type stuff-- 400 to 800 words or so-- I cringe a little. I know it's going to be just about as much work as the longer stuff, for less pay. I'm still going to have to do interviews, I'm still going to transcribe them, I'm still going to write the same meat of the article... and then I'm going to struggle like crazy to trim it down to what almost always seems like too small a space for the topic. Worse, though, is that there seem to be many editors who cannot grasp that 400 words is not enough to pack in everything they ask for in their brief. "Please write the entire history of the the automotive industry, and a sidebar about bicycles" is just not do-able. So then I do the mental equiva...

No autographs, please!

Image
And now I'll blow your mind (unless you're a published author, in which case you may already know this scenario). There I was in Barnes & Noble the other day. My book The Marilyn Monroe Treasures has just come out, and I happened to be across the street with my mom, so I suggested we stop in and take a look at it in all its glory. I already knew it was selling pretty well at that store, because a friend of mine had seen 16 copies on an endcap, then my mom went in two days later and there were 12, and when we walked in this time, there were 5. So at least 11 copies had sold that week. I felt good about that. Since it was an impromptu stop, I didn't have a Sharpie on me. I went to the customer service desk to borrow one. "Hi," I said. "I'm the author of The Marilyn Monroe Treasures , which you have in stock up front. I'd love to sign the copies you have if you can lend me a Sharpie." The clerk actually looked upset. She referred me to a woman ...

Scott, Kimmi, and Sarina

Image
A few months ago, my former editor at Nomad (hi, Lauri!) recommended me for a job writing a book proposal for Scott Rigsby, the first double-amputee to complete an Ironman. He was featured on NBC's 2007 Ironman special-- a great show, which you should definitely watch if it reruns again. I'm no sports person, but this was a human interest piece to the extreme. Great stories. So that's what I've been doing these past few months: working with Scott to get this book proposal ready. Slowly. (Yeah, this balancing-motherhood-with-writing stuff is still a huge challenge to me.) How lucky am I to have found a person who doesn't mind being interviewed at midnight? The proposal is just about done, and I can't wait to see where this book lands. A few publishers are already interested, just based on the pitch, but I suspect a lot more will be excited about it once they read this proposal. It's the longest one I've ever written... closing in on 60 pages. I thought it...

FREE! I mean it. The Street-Smart Writer.

The Street-Smart Writer: Self-Defense Against Sharks and Scams in the Writing World is one of the more important books I've written (co-written, actually, with publishing attorney Daniel Steven). My publisher has kindly released an ebook version totally FREE, no strings attached, through Wowio.com. They add in a sponsor's ad in the front and back, but aside from that, it's exactly the same as the print book (which costs $16.95). Here's the link: http://www.wowio.com/users/product.asp?BookId=2646 You have to register with Wowio, but I did that a few weeks ago to make sure they wouldn't spam or do any funny business... they didn't. So NO EXCUSES! It's free, and you don't even have to leave the comfort of your computer. Please, read this book, blog about it, send the link on to all the new and new-ish writers you know, and let's help save people from becoming easy prey for scammers and schemers in the publishing world. Thanks! Here's the book's...

Good news for Marilyn

I'm very happy to say that my next book, The Marilyn Monroe Treasures (coming in October from Metro Books), is a Book of the Month Club pick, and the Spanish and Italian rights have been sold. It looks like other foreign editions will follow soon. I've seen the galleys and they look terrific. I've had just one other foreign edition before, so this is exciting to me. I'm still having a heckuva time trying to figure out how to balance motherhood and writing, though. I need to sell something huge so I can take a break until Sarina's in elementary school! Got any bestselling book ideas that you don't plan to use lying around?

Mail Woes

This is one of those deflating moments you never really think about when you're in the honeymoon stage of book publishing-- you know, the time between when you sign the contract and the first month or so after the book comes out. Those months are so full of possibilities. Then, there you are five years later with an unearned-out advance and a statement showing that you've managed to lose money in the last 6 months. How, you ask? Simple: the number of returns exceed the number of sales. "Returns" doesn't mean that a customer returned the book. It means that the book was sitting around on the bookstore shelf and someone who works in the bookstore finally decided it was just taking up space there and probably would never sell, so they get to return it to the publisher for full credit at any time. I guess some of those stores have been hanging onto the book for the full five years. Nice of them, really. Anyway, there does come a point-- maybe after the first two or t...